Jazzonthelatinsideallstars.com

A few years ago, we were all about those huge stereos, in-house sets. But time flies and people change. Now we want something more versatile, easier to move around, even taking out with. You began to travel more, have more beachy time, do more camping vice versa.

And eventually, a portable headset is not enough anymore. You want something loud and wild for you to party around with your buddies in nature. But it also has to be comfortable and small to carry around, and the sound quality must be excellent.

Premium sound quality while partying around the backyard, that sounds awesome. Enjoying the best music quality right at your place is just a remarkable idea. Who doesn’t love some favorite music while soaking in the hot tub or enjoying a yoga session in the backyard? But wiring them is something that seems a bit tricky to do on your own. Or isn’t it?

In today’s blog, we will give you full instructions on how to wire your outdoor speakers. Started with what to prepare, how to choose the right spot, and finally wiring tips. Everything you need, here we’ve got you covered.

Wiring your outdoor speakers seems complicated, but once you’ve followed our ways, it’s going to be extra simple. And if they can do it, seamlessly wire their speakers, so can you. Let’s get started, shall we?

Have A Look At Your Outdoor Speaker’s Manual

Last week I released a cover of a pop song that used a lot of chords [Music] how would you come up with an arrangement of a pop song like this one and more importantly why would you do something like that the world was introduced to this style of

Rearrangement through the music of dirty loops the swedish power trio in july of 2011 their syncopated Andry harmonized take on a lot of pop songs like Justin Bieber’s baby made an immediate impression on a lot of young musicians borrowing heavily from gospel and jazz fusion their arrangements are

Very refreshing and fun the kind of music that dirty loops makes isn’t particularly new they’re simply continuing a tradition that is existed for a long time among jazz musicians beginning roughly in the 1950s jazz musicians took popular Tin Pan Alley songs and American musical songs and songs from

American movies and turn them into vehicles for jazz improvisation in the new hard bop style this is exemplified in recordings like Shawnee Rollins’s version of Surrey with the fringe on top in the musical Oklahoma or Miles Davis’s take on someday my prince will come from the movie Snow

White and Seven Dwarves audiences were immediately familiar with the source material because it came directly from the popular culture of the time like Justin Bieber is today but they were treated to a more harmonically adventurous approach to the music once you get a taste of more advanced harmonic

Concepts it can kind of be difficult to go back to simpler triadic harmony look you get one taste a delicious delicious jazz chords the stuff ever satisfies you ever get rest well how does one go about arranging pop music like this well let’s start with the basics step

1 pick a pop song so let’s find a simple pop song what are the kids listening to these days alright Ed Sheeran’s the shape of you let’s here are the first four bars of the chorus sound with its original harmony I’m in love the shape of the cushion

Pull like a magnet Abdullah I’m in love with you buddy all right how can we spice this up well let’s start with diatonic reharmonization an easy way to change the feeling and color of a song and a minor key is to simply change the chord so that they

Reflect the relative major I’m in love with the shape of the shampoo like a magnum of the love engine I’m in love with you buddy well that’s certainly different you can hear how harmony really affects the mood of a song you may have noticed that we change the

This is the first in a bunch of tutorialsI’m making on jazz piano for beginners.

I’ve talked about jazz a little in the past, but I thought it would be good to make an easy series like this that you can use ifyou’re just starting out.

Every lesson is going to be based around ajazz piano improvisation that you can play, starting very easy and simple, and gettinga little more challenging with each tutorial.

To start with you only need the most basicbeginners’ knowledge of the piano.

If you know about chords that’s cool and it’llhelp, but for now all you need to know is the names of the notes on the piano keyboard- we’ll cover the jazz concepts and music theory you need as we go.

OK, let’s look at this first improvisation.

We’ve got four beats in a bar at a moderate speed – 1 2 3 4 1 2 3 4.

Here’s middle C.

And first, we’re going to make the left a simple repeated pattern.

In this octavedown here I’m going to play A – F – G – A.

Let’s do that again against the beat A – F- G – A – A – F – G – A.

Each note has two beats, so the whole sequence is just two four-beatbars long – that’s two measures if you’re using the US terminology – 1 2 3 4 1 2 3 4A – F – G – A.

The first thing I want you to do is practise that over and over untilyou don’t even have to think about it.

We want as much of your brain’s processingpower as possible working on the right hand.

OK so what notes can we use to improvise onin the right hand? The simple answer is, any of them.

This is a really, really importantconcept when you start piano improvisation.

There aren’t any wrong notes as such, it’sjust that some notes that will sound better, in some situations, than others.